State
Tribe Name
Art Type
short description
To Mich, prod excessive vocal and enthusiasm in cultural and traditional folk songs and tribal songs down by Shibor Maukan and his Khasi Ethnic Band from Meghalaya. The band intends to preserve the fading musical culture of the Khasi tribe, being passed down from generation to generation, based in Pienther village in the Khasi Hills district. Khasi folk songs are intricately woven with the traditional instruments of the area, which include Nakra, Kisang Kinthhai, Duitara, Padi, and Kinthhai.
Thumbnail

Filter Postion
Left
Filter Background
Off
Theme
Filter Header Image

content
Image

description
To Mich, prod excessive vocal and enthusiasm in cultural and traditional folk songs and tribal songs down by Shibor Maukan and his Khasi Ethnic Band from Meghalaya. The band intends to preserve the fading musical culture of the Khasi tribe, being passed down from generation to generation, based in Pienther village in the Khasi Hills district. Khasi folk songs are intricately woven with the traditional instruments of the area, which include Nakra, Kisang Kinthhai, Duitara, Padi, and Kinthhai.
Image Mode
landscape
Image

description
The first item on the program bore plaintive strains (Artanaad) wherein a doe laments its fawn, investing pathos (Karun Rasa) into the beats of Kisang Kinthhai. Shibor played the five-stringed saitar with the band members Jeevan Lyngdoh on the Duitara, Pinbha Long Khong Mowl on the Padiya, Alden Khong Mowl on the Kisang Kinthhai, Wanbor Maukan on the Nakra, and Yasung Long Khong Moule on other instruments such as the marigond, Shannam (cymbals), Shau-Shau (manjira).
With a cradle song and melodies based on the 'Padiya Shi Ding' pattern celebrating mothers and childhood memories, the performance continued. Other songs, such as 'Mei Byd Jong Na,' honored mothers and their love and sacrifice, while 'Golden Fall' sang the praises of Meghalaya's natural springs. The concluding song, 'Mei Ramaau,' expressed gratitude towards Mother Earth and a pledge for the protection of nature.
With a cradle song and melodies based on the 'Padiya Shi Ding' pattern celebrating mothers and childhood memories, the performance continued. Other songs, such as 'Mei Byd Jong Na,' honored mothers and their love and sacrifice, while 'Golden Fall' sang the praises of Meghalaya's natural springs. The concluding song, 'Mei Ramaau,' expressed gratitude towards Mother Earth and a pledge for the protection of nature.
Image Mode
landscape
promoted
Off
Verified
Off