This lovely metal sculpture of a bird, made by the Gunsur Malias tribe, stands as an example of tribal metalwork with a wide diversity of symbolical and functional uses. When created by the ancient lost wax method, this sculpture gives testimony to the craftsmen's skills, spirit, and cultural traditions of the tribe. Its pleasing use of brass, synonymous with durability and natural shine, adds to the aesthetic beauty of the piece. This bird perches gracefully on a circular flat base, conferring stability and a palpable sense of presence. The bird's body is uniquely divided across its axis into two parts, which suggests the importance of some functional element; many times such forms in tribal art are employed to signify hollow containers or ritual boxes.
The lower region is hollow, showing that this figure may not merely be decorative, but used to store oftentimes sacred items, herbs, or offerings. The serrated tail draws the eye with interest and adds texture and character to the piece, suggesting feathers, but equally showing off the artisan's artistry. Birds in tribal tradition find themselves as ambassadors or symbols of liberation and elevation of the spirit; thus, this sculpture must be an embodiment of not only fauna but a metaphor for the bridge across the physical and spiritual lands. These are objects well made, carrying meaning, to the Gunsur Malias metal artisans, who will continue to keep and entertain their tradition with such.